Posts Tagged ‘writing’

Lester Dent’s Master Plot Formula

Tuesday, April 27th, 2010

Every so often I sit up, look around my office, and wish that there was a formula for success in whatever I’m doing (building software, investing, mini-golf…). A formula that never fails, in fact, that when followed makes it impossible to fail.

Luckily, Lester Dent (“…one of the grandest purveyors of ripping, tearing, he-man action-fiction who’s loomed over the magazine horizon in many a long year…” — his editor) created such a formula for 6000 word pulp stories (like Lester’s Doc Savage). I’ll let you know when I find one for the stock market.

Here’s how to write the first 1500 words:-

FIRST 1500 WORDS

1–First line, or as near thereto as possible, introduce the hero and swat him with a fistful of trouble. Hint at a mystery, a menace or a problem to be solved–something the hero has to cope with.

2–The hero pitches in to cope with his fistful of trouble. (He tries to fathom the mystery, defeat the menace, or solve the problem.)

3–Introduce ALL the other characters as soon as possible. Bring them on in action.

4–Hero’s endeavors land him in an actual physical conflict near the end of the first 1500 words.

5–Near the end of first 1500 words, there is a complete surprise twist in the plot development.

SO FAR: Does it have SUSPENSE?
Is there a MENACE to the hero?
Does everything happen logically?

Read the whole thing here:
http://www.multiverse.org/fora/showthread.php?t=2510

On Thud and Blunder

Thursday, April 22nd, 2010

Poul Anderson wrote this a long time ago, addressing the ridiculous lack of basic research (indeed, of common sense) in some heroic fantasy.

I’m not convinced of the “enthrall” quality of a story wherein the sensibly clad barbarian hero shoulders his 5-lbs-light axe and alternates trotting, walking, cantering and galloping a cavalcade of geldings to the coast, where he sits calmly in Honolulu harbor for 6 months waiting for a fair wind to swoosh him across the Pacific, eventually lands miles (and weeks) from his destination, and swiftly dies of illness before entering battle.

I do respect and whole-heartedly agree with the principle of not simply making dumb stuff up. Give us at least a nod at research/realism, even if it’s a quick nod, given while galloping by on your stallion, swinging your 50-lb broad-sword around your head single-handedly.

Read it here: http://www.sfwa.org/2005/01/on-thud-and-blunder/

Your Novel is Awash with Shallow Characters and Vague Scenes (but that’s okay)

Wednesday, April 21st, 2010

Or, How to plan your novel.

Some writers exist, perhaps, who can hold all elements of character and plot in their heads, cross-checking mentally while they write 85,000 words of scintillating prose. These writers are not my intended audience.
My intended audience is those of us who have a hard time retaining a thought without writing it down, who can’t remember where we put our spectacles ten minutes ago, much less that awesome plot twist that smote us yesterday while we were -procrastinating- gardening or something.
Yeah, I didn’t think it was just me.

What to do? How to deepen your characters, make each scene meaningful, and more

Characters tend to come to me as an image, or a scenario, or half of a jacket blurb: An unformed idea, in other words, not a fully developed character.

“Crooked Will Scarvando is an amnesiac immortal who forgets everything every thirty years on June 18th.”

(more…)