Practical, down-to-earth writing advice from Crawford Kilian. He goes through the whole fun process of writing your novel, from manuscript format to symbolism to dialogue to query letters to contracts.
Check out the whole thing here: http://www.darkwaves.com/sfch/writing/ckilian
You can also read his blog on things writing-related here: http://crofsblogs.typepad.com/fiction/
I stumbled across this e-book by Holly Lisle, available free at her website! I’m reading through it with great interest, and it looks like a lot of good, practical information on how to write your novel.
While having high hopes can keep you going, having high expectations can paralyze you. After all, if you demand of yourself that you write the Great American Novel your first time out, every time you try to type a word on the page, your mental editor is going to say “No Great American Novel ever included that word.” And you’ll never get beyond the first thirty pages.
Mugging the Muse: Writing Fiction for Love AND Money, © Holly Lisle
Download MtM:WFfLaM from her website, in PDF or ZIP format: http://hollylisle.com/fm/
Every so often I sit up, look around my office, and wish that there was a formula for success in whatever I’m doing (building software, investing, mini-golf…). A formula that never fails, in fact, that when followed makes it impossible to fail.
Luckily, Lester Dent (“…one of the grandest purveyors of ripping, tearing, he-man action-fiction who’s loomed over the magazine horizon in many a long year…” — his editor) created such a formula for 6000 word pulp stories (like Lester’s Doc Savage). I’ll let you know when I find one for the stock market.
Here’s how to write the first 1500 words:-
FIRST 1500 WORDS
1–First line, or as near thereto as possible, introduce the hero and swat him with a fistful of trouble. Hint at a mystery, a menace or a problem to be solved–something the hero has to cope with.
2–The hero pitches in to cope with his fistful of trouble. (He tries to fathom the mystery, defeat the menace, or solve the problem.)
3–Introduce ALL the other characters as soon as possible. Bring them on in action.
4–Hero’s endeavors land him in an actual physical conflict near the end of the first 1500 words.
5–Near the end of first 1500 words, there is a complete surprise twist in the plot development.
SO FAR: Does it have SUSPENSE?
Is there a MENACE to the hero?
Does everything happen logically?
Read the whole thing here:
http://www.multiverse.org/fora/showthread.php?t=2510
Poul Anderson wrote this a long time ago, addressing the ridiculous lack of basic research (indeed, of common sense) in some heroic fantasy.
I’m not convinced of the “enthrall” quality of a story wherein the sensibly clad barbarian hero shoulders his 5-lbs-light axe and alternates trotting, walking, cantering and galloping a cavalcade of geldings to the coast, where he sits calmly in Honolulu harbor for 6 months waiting for a fair wind to swoosh him across the Pacific, eventually lands miles (and weeks) from his destination, and swiftly dies of illness before entering battle.
I do respect and whole-heartedly agree with the principle of not simply making dumb stuff up. Give us at least a nod at research/realism, even if it’s a quick nod, given while galloping by on your stallion, swinging your 50-lb broad-sword around your head single-handedly.
Read it here: http://www.sfwa.org/2005/01/on-thud-and-blunder/